Princess Principal Episode 6 – Somber Shifts

God, what a bummer of an episode.

This episode of Princess Principal, Case 18 – Rouge Morgue, is by all regards a fantastic episode, but is by far the heaviest that we have seen thus far. It follows in the footsteps of episodes 3 and 5, in which we got to know Beatrice and Chise through their own focused episodes, respectively, and this time, our sights are set on Dorothy. Unlike the other character-centric episodes so far, however, this one has little high-octane action, if any, and instead hones in on story. What also sets this episode apart, however, is how decidedly somber it is, and how tonally different it seems to be from the previous episodes. Personally, however, I believe that this brief departure from the show’s established norm makes for a solid, deeply interesting episode, dealing with love, betrayal, and ultimately, death.

Continue reading

Princess Principal Episode 5 – The Spies on the Train That Day

Episode 5 is in many ways similar to episode 3, giving us a backstory of one of our characters via a spy case as they did with Beatrice. Before we get into that though, I’d like to say that I thought Beatrice’s backstory was definitely touching in ways I did not expect from the series, although it wasn’t as if they focused the whole episode on it either. This may have been a good thing or a bad thing, depending on how much you like to know about your characters before the story progresses, however I think in this case it fits the show, especially if they put just as much emphasis on the other characters and their stories later on as well.

Continue reading

Log Time General Podcast #8 | Beginning of Summer 2017 — Summer Anime Miracle Examiners

This week, we dig into the Summer 2017 season, which is a legitimate miracle because we found so many shows to watch. We find Jesus in the Vatican Kiseki Chousakan, try not to geek out too hard over Gamers!, talk about food a lot with Isekai Shokudou, and check out of Konbini Kareshi for good, among other things.

Audio Links:  iTunes | Soundcloud

This podcast was recorded on July 27th, 2017.

Outro Song: re-pianohi1tars by Hiroyuki Sawano from Re:Creators OST (Disc 1)

My feelings on the Netflix situation.

Whoo boy, this one is gonna be opinionated.  These are just my own personal feelings on this, this isn’t representative of the whole Backloggers.  I just felt like sharing and one hundred forty characters didn’t feel like enough.

Look, first and foremost, I am not stating people should pirate anime.  Please, support the creators in any way you can and in every way available legally.  A quick look at the Animator Housing project or the median salary of people in the industry should be enough of a wake up call that the people who make anime are in deep shit and they need every ounce of help they can get.  

However, for those that are taking the high ground on this debacle with Netflix, let’s be completely realistic here:  Netflix has metaphorically taken the starter pistol on their first major foray into this and shot themselves in the leg.  The anime community in the western world has a several decades long history of piracy because it was simply the only option for a vast amount of shows.  It’s only recently that we’ve even blessedly had Crunchyroll among others popping up to give us an alternative to waiting for years for Funimation and Aniplex (or Heaven forbid 4Kids) to license something, if they ever choose to.

This is what Netflix should be fighting. This is what we are fighting who want legal alternatives that support the very industry that gives us this entertainment.  But the only way to fight piracy isn’t to say “Hey, we’re legal.  That’s what you care about, right?”  That doesn’t matter to people who just want to watch a show and it definitely doesn’t matter for the multiple people I work with that are casually watching Naruto and Attack on Titan and have me crying every day when I look over and they’re on KissAnime, watching the shittiest of quality streaming with “who knows who translated this” subs.  I mean, in the entirety of me watching Game of Thrones, I had a multitude of friends and family talking to me about the show and the only one among them I knew had an account was my dad.  I understand this is anecdotal but it’s pretty obvious that if people want content, regardless of if they’re “hardcore” or “casual”, they’ll find a way to watch it and the reaction from across Twitter, even from people who work for licensors and distributors echoes this same mentality.

What Netflix needs to be is competitive against this.  The only way to stop piracy is to make things easy, affordable, and more competitive than the alternative.  However, when you hold shows for over a year, it isn’t easy on the consumer, it isn’t affordable if we have nothing to pay for, and it’s the complete opposite of competitive when the pirates already have it up and ready to go day one.  Going back to the runner analogy above, it’s like Netflix finally got into the sprint at the Olympics and then intentionally broke their leg on the starting line.  Why did they even show up?  They stole that spot from some other runner (CR, Amazon, etc.) who would actually try to race.  Instead, we got them.

And that’s another issue here.  We finally have competitive answers against piracy that are doing great work out there.  CR is doing a great job of grabbing licenses and Amazon is definitely fumbling their way through this, but their actual content is amazing and readily available if you have the bank for it.  If Netflix never grabbed these shows in the first place, you can bet your ass CR, Amazon, or any of the newcomers would have snatched these and we’d be watching weekly.  Instead, Netflix sniped the shows and expects people to wait.

Yes, piracy is wrong and yes, with 100% certainty we need to support the industry because they’re barely supporting their own creators.  But the bottom line is that regardless of morality, people will absolutely be pirating these shows because Netflix refuses to work with the community and is putting their own policies over their consumer’s needs.  That is unacceptable.

It just sucks.  It sucks because the pirates are given validation, it sucks because CR and all the others are screwed out of a great licensing deal, it sucks for us because we now have to wait for possibly over a year to even watch shows like Kakegurui, and to top it all off, it sucks for the anime creators because all their hard work is put on the back-burner internationally.  They potentially won’t see a cent from us until a year after their show originally aired unless we decide to buy up merch for a show we’ve never seen.

So thanks, Netflix.

Princess Principal Episode 3 — Ties that Bind

In a development that I have found not at all surprising, Princess Principal episode three serves as yet another thrilling romp through steampunk London with our spy ladies, and it most certainly does not disappoint in any aspect that the previous episodes have lead me to expect. Its quality has remained one of the most consistent among this season’s offerings, and it certainly does not leave me at the end of the episode feeling lacking. Rather, episode three follows a pattern episodes one and two have set in place for us, and it goes to town. Or the sky, rather.

Continue reading

Princess Principal Episode 2 — Observation is Key

After watching various anime premieres this season, Princess Principal (or PriPri, if you’re lazy like me) was the one that took me by the biggest surprise in terms of its sheer uniqueness compared to many others of the season. That’s not to say the season is lacking in creativity, or that previous seasons had more creativity than this current one, but in this season with many anime seemingly attempting to ride waves of popularity based on other popular ones, I expected PriPri to fall in line with them in terms of having difficulty differentiating itself from shows such as Baccano! or Joker Game.

Continue reading

Princess Principal Episode 1 – I’d be lying if I said I wasn’t psyched

When I sat down to watch Princess Principal, I couldn’t tell you what I thought it would be, but damn if I wasn’t surprised.  I guess I expected some kind of “cute girls doing edgy spy things” and, to some extent, that’s sort of the zoomed out view of things.  However, it’s so much more.  As The Afictionado put it when we were talking on Twitter earlier, this show is more of “a steampunk fantasy full of spy intrigue and reminiscent of Baccano!

And that’s freaking sick.

Take a steampunk setting in turn of the century London, split London with the idea of post-WWII Berlin (including the wall), add in a helping of fun pseudo-science, pour in a cast of charming characters, and then top the whole thing off with a great soundtrack and you’ve got yourself what I’m watching this season.  This dish was delish, and if this rest of the series is anything like the first episode, then I’ll be craving more and more over the next few weeks.

[HorribleSubs] Princess Principal - 01 [1080p].mkv_snapshot_10.54_[2017.07.11_00.05.14]

Damn, if this setting isn’t awesome looking.

Continue reading

SukaSuka Episode 12 — A Display of True Colors

“Is this even the same show?” A question I asked myself continuously while watching this episode.

You may have expected me to delve into another long rant-like explanation as to why SukaSuka continues to not work for me and how much it continues to stray from the beginning episodes in dramatic tone and impact, as I’ve discussed several times previously. I mean, I’ve ragged on this show a lot, after all. Most of the things I’ve ragged on though have been personal complaints or about scenes that didn’t quite hit the mark as hard I was hoping it would, and there’s still a plethora of problems with the show in general. However, this episode brought out the shows true colors and gave me exactly what I wanted and expected the show to be like all along.

And by that, I mean, an episode perhaps rivaling episode 1 in terms of outstanding quality. This episode was truly fantastic.

Continue reading

Country Roads, Take Me Home – Sakura Quest and Making Home Where You Are

As the Spring 2017 season comes to a close, Sakura Quest continues through into the Summer season, I could not be more pleased with any other shows this season getting this chance. As the spiritual successor to P.A. Works’ prior working shows Hanasaku Iroha and Shirobako, it feels pretty strongly as though it is living up to that legacy, with a stunning cast of characters and the endearing town of Manoyama. While I love the journey that the show has taken us on thus far, something that has really struck me about the show is its treatment of employment in urban and rural spheres, and how an unstable job market and idealized perceptions of the city and the country affect these employment opportunities. Yoshino’s perspective initially is quite simple: she was, by all accounts, born and raised in a rural town, and as soon as she could, she shot off to Tokyo, the land of big dreams, in search of that certain something that rural towns just couldn’t quite do. Even at the risk of not having a job, Yoshino is of the mind that she will never go back to her hometown, even if she were to have a stable, guaranteed job there. The country just doesn’t have the same spark as the city, or there aren’t the kind of job opportunities that someone like Yoshino in her generation would want to take on for a career. In many ways, these ideas that Yoshino has, as well as being a student fresh out of college that can’t seem to find a job for the life of her, speak to me as a reflection of a several-years-younger General Tofu.

Continue reading

SukaSuka Episode 11 – A Rapid Ride to the End

The penultimate for the series and boy is it worth that haughty title.  What starts with a innocent, though a bit existential, discussion about “happiness” steadily divulges into an all out struggle for survival as every character down on the surface finds themselves at the end of the line, finally leading us back to just before where the series all began with that beautiful opening piece that sold me on picking up this series eleven weeks ago.

What started as a gentle slope to the finish last episode has turned into an eighty degree angle slide into the finale.  The is the episode we finally, finally, get a lot of the answers that we were looking for… and then a few more questions.  While I had wished more of this information had been spread out or at least hinted at more in other parts of the series, I felt its delivery was excellent and the revelations interesting.  Plus, given some of the information explained, it made sense for the show to wait until the very end before revealing its hand.

This episode definitely wants us to know we’re finally here at the end of it all and the allusions to the first episode are abound, particularly the constant various versions of the show’s opening motif played in every style imaginable throughout each scene.  There was also of note the opening discussion about happiness that was interesting to hear as it seemed to be a direct allusion to the first few lines of the show, a monologue about how Ctholly had found her happiness finally before she tumbles off the ship and down to the surface below.

[HorribleSubs] Shuumatsu Nani Shitemasuka Isogashii Desuka Sukutte Moratte Ii Desuka - 11 [1080p].mkv_snapshot_01.21_[2017.06.29_01.08.05]

Welcome to AniBlogging, Ctholly.  We have words.

Continue reading