Episode 5 is in many ways similar to episode 3, giving us a backstory of one of our characters via a spy case as they did with Beatrice. Before we get into that though, I’d like to say that I thought Beatrice’s backstory was definitely touching in ways I did not expect from the series, although it wasn’t as if they focused the whole episode on it either. This may have been a good thing or a bad thing, depending on how much you like to know about your characters before the story progresses, however I think in this case it fits the show, especially if they put just as much emphasis on the other characters and their stories later on as well.
This week, we dig into the Summer 2017 season, which is a legitimate miracle because we found so many shows to watch. We find Jesus in the Vatican Kiseki Chousakan, try not to geek out too hard over Gamers!, talk about food a lot with Isekai Shokudou, and check out of Konbini Kareshi for good, among other things.
This podcast was recorded on July 27th, 2017.
Outro Song: re-pianohi1tars by Hiroyuki Sawano from Re:Creators OST (Disc 1)
Hey ya’ll, welcome to our anime content round-up, a new sort of post that we’re doing!
In similar veins to other anime bloggers, this will be a collection of all the articles, videos, and creators that we wanted to give mention to for their outstanding content and also gives us a way to thank them for the work they’ve put into these pieces. Of course, there’s tons more content and content creators than just these that we’d love to mention, but to keep these posts brief for your sanity and ours, we limited to five for each of us.
Since there’s three of us at The Backloggers, we also will be rotating out who picks the notable posts each time (and also who writes these little intros). There will likely be times where all three of us will contribute to the same month, but that will not necessarily always happen, but we’ll try to provide at least two people’s choices and switch around who does them for variety. These choices will be personal picks, either something we find interesting, thought-provoking, or just unique in terms of their content, and then we’ll talk a little bit about why we chose each article.
Anyway, enough with the obligatory info dump. Let’s move on to our picks, starting with Mythos.
Here we are entering episode four of this journey into cute spies doing devious things and I cannot overstate how solid the quality of this show has been through and through. The team behind this seem to know exactly what they’re doing and the purposeful telling of this story out of order has us guessing at every turn what side the individuals in our main cast are on. I’m so excited to see where this goes and after being burned last season, I am hoping against hope that the crew at Studio 3Hz keep this up. It just seems too good to be true. …Almost as if we’re being lied to- I’m sorry for the crappy joke.
While the last two episodes actually had case numbers that followed each other, we’re back to jumping around again, going from Case 2 over to Case 9 now, a few cases before the first episode’s Case 13. While the jumping around has made me sad because we had such great origin stories for a few characters and the team as a whole, this episode actually touched on similar ideas a little on its own by putting a bit more focus on two characters we know little about: Dorothy and Chise.Continue reading
Whoo boy, this one is gonna be opinionated. These are just my own personal feelings on this, this isn’t representative of the whole Backloggers. I just felt like sharing and one hundred forty characters didn’t feel like enough.
Look, first and foremost, I am not stating people should pirate anime. Please, support the creators in any way you can and in every way available legally. A quick look at the Animator Housing project or the median salary of people in the industry should be enough of a wake up call that the people who make anime are in deep shit and they need every ounce of help they can get.
However, for those that are taking the high ground on this debacle with Netflix, let’s be completely realistic here: Netflix has metaphorically taken the starter pistol on their first major foray into this and shot themselves in the leg. The anime community in the western world has a several decades long history of piracy because it was simply the only option for a vast amount of shows. It’s only recently that we’ve even blessedly had Crunchyroll among others popping up to give us an alternative to waiting for years for Funimation and Aniplex (or Heaven forbid 4Kids) to license something, if they ever choose to.
This is what Netflix should be fighting. This is what we are fighting who want legal alternatives that support the very industry that gives us this entertainment. But the only way to fight piracy isn’t to say “Hey, we’re legal. That’s what you care about, right?” That doesn’t matter to people who just want to watch a show and it definitely doesn’t matter for the multiple people I work with that are casually watching Naruto and Attack on Titan and have me crying every day when I look over and they’re on KissAnime, watching the shittiest of quality streaming with “who knows who translated this” subs. I mean, in the entirety of me watching Game of Thrones, I had a multitude of friends and family talking to me about the show and the only one among them I knew had an account was my dad. I understand this is anecdotal but it’s pretty obvious that if people want content, regardless of if they’re “hardcore” or “casual”, they’ll find a way to watch it and the reaction from across Twitter, even from people who work for licensors and distributors echoes this same mentality.
What Netflix needs to be is competitive against this. The only way to stop piracy is to make things easy, affordable, and more competitive than the alternative. However, when you hold shows for over a year, it isn’t easy on the consumer, it isn’t affordable if we have nothing to pay for, and it’s the complete opposite of competitive when the pirates already have it up and ready to go day one. Going back to the runner analogy above, it’s like Netflix finally got into the sprint at the Olympics and then intentionally broke their leg on the starting line. Why did they even show up? They stole that spot from some other runner (CR, Amazon, etc.) who would actually try to race. Instead, we got them.
And that’s another issue here. We finally have competitive answers against piracy that are doing great work out there. CR is doing a great job of grabbing licenses and Amazon is definitely fumbling their way through this, but their actual content is amazing and readily available if you have the bank for it. If Netflix never grabbed these shows in the first place, you can bet your ass CR, Amazon, or any of the newcomers would have snatched these and we’d be watching weekly. Instead, Netflix sniped the shows and expects people to wait.
Yes, piracy is wrong and yes, with 100% certainty we need to support the industry because they’re barely supporting their own creators. But the bottom line is that regardless of morality, people will absolutely be pirating these shows because Netflix refuses to work with the community and is putting their own policies over their consumer’s needs. That is unacceptable.
It just sucks. It sucks because the pirates are given validation, it sucks because CR and all the others are screwed out of a great licensing deal, it sucks for us because we now have to wait for possibly over a year to even watch shows like Kakegurui, and to top it all off, it sucks for the anime creators because all their hard work is put on the back-burner internationally. They potentially won’t see a cent from us until a year after their show originally aired unless we decide to buy up merch for a show we’ve never seen.
So thanks, Netflix.
In a development that I have found not at all surprising, Princess Principal episode three serves as yet another thrilling romp through steampunk London with our spy ladies, and it most certainly does not disappoint in any aspect that the previous episodes have lead me to expect. Its quality has remained one of the most consistent among this season’s offerings, and it certainly does not leave me at the end of the episode feeling lacking. Rather, episode three follows a pattern episodes one and two have set in place for us, and it goes to town. Or the sky, rather.
After watching various anime premieres this season, Princess Principal (or PriPri, if you’re lazy like me) was the one that took me by the biggest surprise in terms of its sheer uniqueness compared to many others of the season. That’s not to say the season is lacking in creativity, or that previous seasons had more creativity than this current one, but in this season with many anime seemingly attempting to ride waves of popularity based on other popular ones, I expected PriPri to fall in line with them in terms of having difficulty differentiating itself from shows such as Baccano! or Joker Game.