I’ve always been a sucker of sorts for shinobi or ninja-based series. Rurouni Kenshin was my first love in that regard, as I quickly fell in love with the weird, diverse cast of characters, Kenshin’s code of honor and ever-present desire to help and protect those in need, as well as the flashy swordplay and sword arts, moves, and styles. For a young Tofu, it was absolute heaven. Other series caught my eye similarly – Naruto was an early favorite, for instance. Between the hype that came from watching it as it aired and the ever-present escalation and new uses of interesting and powerful jutsu, the show had me hooked. As I grew older and branched out beyond the shonen genre, I found myself deep in the throes of shows such as Samurai Champloo, which took the idea of warriors embodying the idea of the samurai I had come to love and re-positioning it in a way I had up until then not seen.
Welcome to our first Lil’ Log Cast! These are going to be an offshoot of our current suite of stuff where we take a look at some shorter series. Incidentally, we also chose this show completely at random using our patented new selection method called Mystery Garbage! Thankfully it didn’t steer us wrong this time, but stick around and maybe we’ll get something really weird with it.
For this cast, we watched Escha Chron, a delightful short OVA series about time and space-bending girls that just want to learn about our world. Talking points include comfy stuff…actually, yeah, that’s most of it, but it’s great, we promise!
Back when Ryan Lewis and Macklemore were writing the songs for their album The Heist, Ben Haggerty (Macklemore) was having a hard time coming up with the lyrics for “Same Love.” He finally decided on an idea of telling the story from a gay individual’s perspective. However, when he showed this to Ryan Lewis, Ryan shot it down immediately. He stated to Ben that there was no authenticity behind these words, and that if he really wanted to make an impact, he should tell it from his perspective. Ben rewrote the song with this in mind, taking his own perspective and feelings of support for the gay community and translating them musically. The song went on to be an anthem for the gay community and a banner for allies to rally under as they pushed harder to finally enact legal gay marriage in the United States.
As someone who likes to write in his free time, I always suffer trying to find how to write characters that aren’t the same background as me, whether it’s a different ethnicity or a different sexuality. To be honest, it genuinely is an impossible thing to try and do this by myself. I can’t understand the struggle or the abuse people have gone through for being gay because I’m just not. That is why I always talk to those around me from these backgrounds in order to help me understand on some scale, and then constantly keep the conversation going as I write. Any writer who is gay would far better be able to detail how that feels than me, and we should encourage them to write those feelings. However, for those of us that are allies, I feel that if we want to express these types of characters in the stories we tell, we have to make damn sure we do it right.
That is why I love My Brother’s Husband as a series. This short but endearingly sweet manga very much acts as an instructional guide for the ways allies can help and make the best of being the support class in the Equality Squad. Gengoroh Tagame in this manga shows people, such as myself, how to be that ally that the gay community needs, how to accept them and work with them to make a better place.
Note: I’m starting off this post by saying that this is my no means to be any reflection of the other members of the Backloggers. This is solely my thoughts on this topic alone. Although this post will talk about general blog updates and general impressions of the blog, I obviously cannot speak for anyone but myself and my opinions on the subject at hand.
This post will probably be the longest post I’ve ever written, but I think this will offer some explanation and insight behind our blog here at The Backloggers, and also explain some of our recent behavior (or lack thereof). So, I encourage you to read this post as a sort of response to Irina’s “Blogging Breaks” post on Karandi’s blog, although it won’t directly pertain to the content in that post, along with some of the stuff that’s been happening with this blog.
We’ve been meaning to watch The Big O for a while now, and believe us when we say that it was well worth the wait. Join us as we talk about some good ‘ol big mech nostalgia, the show’s weird twists and turns with memory, and a never-before-seen end-of-cast twist in opinions. This show is an absolute treasure, and we hope you see why by the end of this.
Samurai Flamenco is a wild ride. We discuss some of its crazy antics, its different aspects of justice of the main character Masayoshi, and how it makes us think differently and reflect on older sentai super heroes shows and other super hero genres.
The spring season may not have as much of a kick in terms of sheer adrenaline and mind-bending shows as the winter season, but don’t count it out! We’ve dug through a mountain of shows to find the season’s cream of the crop (and some of the trash, while we’re at it). Join us as we discuss some good, wholesome fun with Hitoribocchi, Senryu Girl, and Fruits Basket, talk about the weird side of spring with Sarazanmai and Midnight Occult Civil Servants, and dissect some truly heinous garbage.