Before I begin, I need to warn our dear readers that this topic is not just Not Safe For Work, but delves into a depravity that is shocking. Were it not for the need for people to know of this, I wouldn’t even whisper a word of this degeneracy to the community. However, this needs to be known so as to prevent any further falling of humanity. Read on with caution.
Hand to Hand is very much what it seems and is unashamed of its filth, shoving it in our faces on even just the very first page.
3D Kanojo got off to a fascinating start in the first two episodes, giving us some perspective and a view into our awkward, complicated romantic leads Tsutsui and Igarashi. It was a pretty solid foundation, in my opinion, to base the rest of the show off of, and episodes 3 and 4 have both proved to have not dropped the bar of quality that has been set for the show thus far. While the first two episodes acted as a primer of sorts, episodes three and four focus quite heavily on the ways in which insecurities can develop on all sides of a new, burgeoning romance, how they can complicate issues between partners, and ultimately how people can respond to those issues in healthy, trusting ways.
3D Kanojo, on the surface, isn’t exactly a show we haven’t seen before. At first glance, it appears to follow the archetypical show/book/etc. formula of “nerdy boy finds love through beautiful girl”, a trope which, obviously, is fairly problematic. But there is far more to this show going on below the surface. From these first two episodes, we find that, in fact, it has so far come to us as a show about harmful misconceptions, and how looking beyond them can lead to genuine, satisfying relationships. While there’s a lot that we could focus on for a discussion of this show, I want us to look specifically at our main characters, Hikari Tsutsui and Iroha Igarashi, and the fascinating, complex spaces that they inhabit.