I don’t know if anyone else does this but every now and then, I go back and reread my articles I’ve written. It’s not for any narcissistic reason. (Though, that’s exactly what a narcissist would say.) I’m not sure if it could be a smaller side effect of my anxiety disorder, but it’s more for fear. I get so nervous that something I’ve said before will come back and haunt me. Other times, I worry that I’ve written something I completely disagree with now or, just as bad, that I’ve written it so poorly, that my ideas could be misconstrued or actually are terrible in some way. To be fair, thanks to Facebook constantly bombarding me with “Your posts from 9 years ago!” reminders, I feel I have my reasons to get nervous about what I’ve said in the past. Hot damn, high school me was a dumb shit.
Me gesturing to my dumb-ass past self.
The article I constantly go back to more than any other, though, is my Kill la Kill article, my very first one I ever wrote for this blog and the one that started the whole dang project of The Backloggers. I think this one, more than anything, I get so nervous about. For one, it’s been one of the single most trafficked articles for our blog, and has been referenced not only in the blogosphere but also on Reddit as well as on a Chinese forum discussing Western and Eastern ideas about sexism. Which… HOW FUCKING COOL IS THAT?! The Internet is amazing!
However, that’s what scares me. Even after I wrote it, I didn’t feel as hot about it compared to how I wanted it to be. And as time has gone on, I constantly think back to what I said, particularly when it comes to the themes of objectification and sexism versus equal treatment and empowerment. And I’m still not sold. Kill la Kill, to me, has been really complicated in that I feel it does so many genuinely cool and amazing things, particularly when it comes to multiple badass female characters that are so different from each other and fun to see be the leads in a fighting genre anime. However, while at the time of writing it, I tried to have a good answer for various scenes in the show, looking back, it’s a problematic piece on the whole. And after recently reading a discussion about these very same feelings from someone else, I finally caved in and decided I needed to review my earlier ideas.
Another episode, another reason to like this show. I have no idea how they’ll tie some of the threads between these different cases together as we’re now working our way towards the ending, but I’m enjoying the ride nonetheless.
While definitely a departure from the emotionally charged last episode, this one is just as good in what it attempts to do. Going from sadness to peppy optimism this episode, our group of spy girls attempt to stop a nerve gas assassin by going undercover in a laundry mill, blending in with the other poor girls who are tasked with washing the military’s uniforms. I have to say, every scene in this episode exudes the feelings and ideas of Rosie the Riveter, women working hard together and accomplishing great things by their own hands and effort, and the wonderful ways in which our main characters help these girls in the mill succeed and even buy out their own business to run it themselves was fantastic. The ending then nicely tied the bow by the cast commenting on how they’ve left their friends in the mill empowered and able to take care of themselves now. This is a great idea to see expressed in this show and Princess Principal never seems to drop the ball in representing some kickass female characters.
She is adorable but believe me. She is insanely kickass.
Every time a new season of anime rolls around, I take some time to look through the season’s offerings and decide what shows I’m hyped about, what I might give a look, and what I will more than likely pass altogether. Generally speaking, I check out most shows’ available PVs and do some digging into the creative teams that have been working on the show. These factors are most often what inform my choices of what I decide to check out, and what to perhaps get excited about. What acts as a preliminary informant to me before I even get to that stage of digging, however, is the simple survey of show genres–in contrast to the great deal of digging I do for shows that I follow, I often don’t pay much mind to shows that don’t seem even remotely interesting to me as far as their purported genres indicate.
Usually, I tend to breeze past shows that are tagged as ecchi, for example. If a show is branded as “action, comedy, ecchi, romance,” more often than not, you can bet that I am not going to be following that show in the slightest. That being said, I don’t have anything against the ecchi genre–I know many people that are fans of shows within the genre as a whole, and I know that, in some senses, it can be fairly diverse in how it appeals to different audiences within the genre fanbase through various modes of sexual fanservice. There’s all sorts of arguments that people can make about the genre with regards to, for example, how it might appeal to a male gaze, which, if you really want to get into that, seems to ignore the existence of any alternative gazes (lesbian gaze, bisexual gaze, etc.). But that’s not a discussion I’m going to get into here. Everyone has their own opinions as far as genre goes, and they’re entitled to those opinions. Some people don’t like mecha anime; some people don’t like slice of life; I myself generally don’t like ecchi.
A recent post was made discussing the topic of “Moe” within the anime industry. You can find a link to it here.
This post, while interesting in itself, has sparked a response from multiple camps of critics and fans of anime alike, with opinions of all kinds surrounding the article. Given the nature of the post, and its submission on a feminist positive blog, there has obviously been some blind emotion on the topic. However, some have come forward to give their feelings, critique, and attempt an actual conversation about the topic. We thought we might do this as well.
Since our website is run by three different people who each have relatively different views, we figured it’d be best to add to the conversation individually, noting our personal feelings on this subject. None of these will be an in-depth analysis on the topic, and one or all of us may do something like that later, but for now, here our thoughts on the post specifically and what it talks about.
Important note from author: This is a much older piece and no longer really depicts my true feelings on Kill la Kill. I will keep this up as I do think I had some good points but if you’d like to see how I feel several years later, please read this linked article after reading through this one where I critique this article in-depth and come at it with a more mature understanding, disagreeing with myself on particular points.
Let’s talk about feminism and sexuality. For those that inwardly groan at the mention of these sometimes over-discussed topics, I can promise you that there will be massive fan-service and tons of ridiculous action. Fair? But a warning up front: Given the show we’re discussing, this isn’t exactly going to be safe-for-work at all times. I’ll also try to be vague about many particular instances in the show, but this will be a spoiler warning for anyone who hasn’t seen, or cares to see, the show. Now that we have our NSFW tag and SPOILER ALERT included, let’s begin.