Episode nine was what this whole series up to this point has been building to and honestly, had they wanted to make a shorter series, they could have cut it right here and have had in my opinion one of the best endings of the season, possibly of the past few years. For all of those who may have dropped the show because of the pacing, I ask to please reconsider as episodes 7-9 were exactly what you were waiting for, but they wouldn’t have worked nearly as well without the rest of it. The slow burn up to this point and the character and world-building are what enabled this midseason segment to work so well. To those that were on the fence or those that had written this show off earlier I personally will vouch that this is the proof that it all does pay off and does so beautifully. Because of this, I’ll be interested in seeing what they do in order to continue this onward and what they plan to do for the actual ending, given how final and amazing episode nine was.
It is fairly easy to say that, up until this point, Violet Evergarden has been fairly single-minded in its approach to the conveyance of its narrative, plot direction, and character development. Though episodes three through six have very much contained their own interesting, well-detailed vignettes that feel quite distinct from one another, they have invariably followed, to some degree, a formula of sorts for each episode. Through the course of each story, we follow a side character who initially misunderstands Violet, learns more about her, and feels they understand her a bit better by the end of the episode, and during this period of time, Violet comes to understand an emotion that had previously been inaccessible or unknown to her. Beyond that, while there have been a small number of deviations from the standard course of the show thus far, Violet Evergarden has stayed the course in keeping with its low-key, slow-burn delivery of its tale to us. Episodes seven and eight change that.
Episodes one and two were a great introduction to this series and definitely laid the groundwork for what is to come. However, this show very early explained to the audience that it was going to be a slow build and we see that build executed well in episodes three and four as we take a bit of a detour from the posts’ offices and crew to build on our individual characters.
As we left off, Violet is learning to be a better auto memory doll and as such, she is enrolled in a doll training course with several others students. Very early on, we see her excel in her technical skills but as we’ve seen in the previous episodes, when it comes to the basis of the job, understanding and effectively conveying the clients’ emotions, Violet crashes and burns. It’s not until a fellow classmate, Luculia, reaches out and works with her, that we see her progress and beautifully, as they work together, we see both this Luculia and Violet understand each other as well as their own emotions better, eventually leading to Violet successfully writing a short but emotionally effective letter from Luculia to her brother.
This episode and the soon to be talked about episode four seem to share the theme of developing empathy and understanding, from characters within the show, but more importantly, the show seems to also be asking the same from us the audience to the issues certain characters face. This brings up a main point I wanted to talk about, here that I think is important in understanding our main character and the issues she struggles with. That it appears Violet may be autistic.
This wasn’t my idea originally as I watched through episodes one and two. To be completely honest, I’m not exactly well qualified to talk about this as I’m horribly ignorant on this particular mental condition. However, what I’ve learned through others that have more authority on this, I find the fact that Violet Evergarden seems to be tackling this mental condition, or at the very least a similar situation, fascinating. While I originally thought this was an interesting theory when viewing episode three, episode four seems to solidify that this is exactly what the show is doing and, personally, that seems wonderful to me.
Something I’ve always respected about Princess Principal is how unabashedly it likes to just do its thing time and again. From its first episode, it tossed us into its high-flying world of steampunk technology, deception, and espionage and essentially told us nothing except to buckle up. It asked us to trust it with its narrative, its characters, and its fascinating world, and to just let it take us where it was going, wherever that may be. If the final three episodes are any indication, this show did indeed go places, and it escorted us through them in a masterclass style.
Following on the heels of the last two episodes, Princess Principal 12 picks up right where 11 left off, and it’s only fitting for the rollercoaster ride that this finale has been shaping up to be. The show decides to ask us again to simply sit back and take in the sights one last time, and it truly is worth it to do so. The major happenings of episode 12 aren’t necessarily surprising, per se, but they are cathartic, and they work to bring an all-around satisfying conclusion to Princess Principal.
As we head into the final lap of Princess Principal, it’s not surprising to see some larger twists that would indicate where the show is intentionally going for its finale. In episode 10, we learned about a change in command that shook things up for our cast of girls as they have been given the command to execute Project: Changling in order to assassinate the current princess, and as expected, our cast of characters has some diverse reactions to this news.