Back when Ryan Lewis and Macklemore were writing the songs for their album The Heist, Ben Haggerty (Macklemore) was having a hard time coming up with the lyrics for “Same Love.” He finally decided on an idea of telling the story from a gay individual’s perspective. However, when he showed this to Ryan Lewis, Ryan shot it down immediately. He stated to Ben that there was no authenticity behind these words, and that if he really wanted to make an impact, he should tell it from his perspective. Ben rewrote the song with this in mind, taking his own perspective and feelings of support for the gay community and translating them musically. The song went on to be an anthem for the gay community and a banner for allies to rally under as they pushed harder to finally enact legal gay marriage in the United States.
As someone who likes to write in his free time, I always suffer trying to find how to write characters that aren’t the same background as me, whether it’s a different ethnicity or a different sexuality. To be honest, it genuinely is an impossible thing to try and do this by myself. I can’t understand the struggle or the abuse people have gone through for being gay because I’m just not. That is why I always talk to those around me from these backgrounds in order to help me understand on some scale, and then constantly keep the conversation going as I write. Any writer who is gay would far better be able to detail how that feels than me, and we should encourage them to write those feelings. However, for those of us that are allies, I feel that if we want to express these types of characters in the stories we tell, we have to make damn sure we do it right.
That is why I love My Brother’s Husband as a series. This short but endearingly sweet manga very much acts as an instructional guide for the ways allies can help and make the best of being the support class in the Equality Squad. Gengoroh Tagame in this manga shows people, such as myself, how to be that ally that the gay community needs, how to accept them and work with them to make a better place.
It’s been a bit but I wanted to make a piece. Partially because of the extreme guilt of not being vocal and sharing with you guys who have supported us but also because I’m trying to turn that guilt into something really beautiful, if I can. So, I’ll do what I do best:
Here’s a gush piece.
DC recently decided to wall off a lot of their content on their own streaming platform called DC Universe, possibly because they saw Disney do the same with Marvel. Now, granted, I’m sure that there are some benefits for doing this. For instance, with a branch specifically for assisting shows to get created, there are some things that may not have had the money or chance otherwise. That said, it really sucks for a lot of people because there’s no reason to pay for another service that you’ll probably check out once every blue moon.
Well let me tell you about how freaking blue that moon is for me right now.
This is genuinely one of the most heart-warming things I’ve read in awhile. My Brother’s Husband is a multiple award-winning story about a single father, Yaichi, living in Japan. His twin brother Ryoji, had moved to Canada and there found love and legally married his fiancé. However, after ten years living abroad, Ryoji suddenly died. Now, a month has passed and suddenly, Ryoji’s husband, Mike, has decided to come to visit Japan to learn more about his husband and his family that he never got a chance to meet. While living with them, Mike helps to change the lives of our main character Yaichi and his daughter, helping them to not only come to terms with his brother’s passing, but also his own biases that didn’t allow Yaichi to fully accept his brother.
The Winter 2018 season was, in many ways, a genuine surprise, primarily so because of the sheer volume of genuinely solid shows that were offered in this first bit of the year. What has surprised me beyond this, however, is that not only did we have a number of shows that I am already seeing as possible contenders for anime of the year, but a number of shows, to my surprise, made some concerted pushes in terms of working to buck some norms (or at least attempting to do so) that are fairly present within the general sphere of seasonal anime. For this season in particular, one theme that stood out to me has been that of self-love/self-acceptance, and this came to me most notably while watching Yuru Camp and Sanrio Boys.
Episode nine was what this whole series up to this point has been building to and honestly, had they wanted to make a shorter series, they could have cut it right here and have had in my opinion one of the best endings of the season, possibly of the past few years. For all of those who may have dropped the show because of the pacing, I ask to please reconsider as episodes 7-9 were exactly what you were waiting for, but they wouldn’t have worked nearly as well without the rest of it. The slow burn up to this point and the character and world-building are what enabled this midseason segment to work so well. To those that were on the fence or those that had written this show off earlier I personally will vouch that this is the proof that it all does pay off and does so beautifully. Because of this, I’ll be interested in seeing what they do in order to continue this onward and what they plan to do for the actual ending, given how final and amazing episode nine was.