It’s not exactly a bold stance to say that, while well-intentioned (probably?), Crunchyroll’s Anime Awards are, with clockwork consistency, spectacularly bad. January is never quite complete without looking at Twitter and seeing folks from all corners of the platform assembling to bemoan the nominees, the categories, and, eventually, what actually took home awards.
With the show itself looming, I was genuinely curious – The Anime Awards are pretty bad, yes, but just how bad are they? What got excluded from the running? Which shows did they stack with nominations while the others got scraps (or less)? How bad could this be, really?
While it depends on just how cynical you are about the current state of the industry, the reality? It’s probably even worse than you think.
Hey again guys! This is another collab that I got to participate in hosted by K at the Movies this time! It was just a fun project where we got together with members of the Jon Spencer Coalition and other friends of ours and rated some really terrible anime openings (or at least what was classified as terrible by the community). Give this post and his video a look please since he worked really hard on putting this together!
As for The Backloggers, we’ll have a short update post in the middle of the month about the status of some things (nothing bad, I promise) and a few small updates as well! See you then!
This is a long and arduous process but I’m happy finally have it come together. I mean I watched it with some of the people featured in my esteemed judges panel and I think the fact that I can sing-along with most of these proved that I’ve probably gone insane. Yes, I asked a month ago what are the worst, the awful, the annoying, the just epically bad anime openings that you know and we’re going to find what is the worst. Did we find the right choice for the worst our opinions a little whack. I guess you’ll just have to watch the video and see what you think.
Thanks to the Cast
Of course this wouldn’t have been as great without everyone coming together, from everyone who participated in the open ballot poll, to who retweeted and shared the poll, judged anime openings and watched the video. I…
Hey y’all! I know it’s been a while since we posted anything, but that’s because we’ve been rather busy throughout these past month or so. Since that’s the case, I have been recently participating in collabs with some fellow AniTwitter members and AniBloggers, and this post is one of those.
In this post, me and the others talk about some of our favorite LiSA music tracks from anime and share why we think they’re top-tier picks. There’s a poll too and you can vote on which you think is the best one! Give it a look if you haven’t already!
Anyone hanging around the AniSphere recently has probably noticed an uptick in discussions about Virtual YouTubers, AKA v-tubers, and their unavoidable presence on social media platforms. While v-tubers initially became popular in recent years due to the introduction and popularity of the Kizuna A.I. Channel, the COVID-19 pandemic has vastly increased their presence as a topic of discussion, as well as a form of entertainment. Widely known groups such as Hololive and Nijisanji have continued popularizing the idea in Japan and overseas more and more every day, which has resulted in a cultural explosion across many regions of the world.
The idea of v-tubers has mostly been popularized by Hololive’s EN branch but has been popular since the introduction of v-tubers familiar with the English language. Because of these v-tuber talents primarily living in Japan and being backed by Japanese-based agencies, there have been various ways that the companies have decided to market them to different demographics across the globe. Each agency also handles its talents and branches differently by giving their management and talents varying levels of control, but also by having them under policies and conditions, as most businesses do. Of course, there also are a fair share of independent v-tubers that have borrowed ideas from these agencies and use them to create their own platforms, as well. There’s a whole spectrum of things to consider when it comes to being a virtual YouTuber talent in 2021.
After five or so years of working on projects as part of The Backloggers, I think I can, with full confidence, say that I’m cursed. When you hear “cursed,” you likely aren’t thinking of it in relation to an anime blog or blogger. Sure, maybe a blogger is reviewing some “cursed” content, or maybe the content being put out by the blog is “cursed,” but that’s all in the fun, jokey, colloquial use of “cursed.” It’s never, you know, the “you got on a witch or demon or whatever’s bad side” bad cursed.
Folks, I mean I am the bad cursed. And it’s all because of fucking Hand Shakers.
Okay, so here’s the thing: this was initially supposed to be a “Top 10 Anime of 2020” post. I had every intention of doing that, but then someone made a dumb joke about 2020 and 20 anime and I am also dumb, so I resonated with that and ran with it. So here we are now. You have made it to General Tofu’s list of 20 great anime series from 2020 – congratulations!
I was absolutely not about to rank 20 different series, so what I have instead done is that I have organized them by the season that they initially released in. I have also not necessarily organized this as a list of only the absolute best anime – there are definitely shows that I watching this year that I have rated higher score-wise than some shows that appear on this list. I am quite sure that plenty of the shows that did not make the cut for this list have been talked about to death on other end-of-year posts, so y’all probably don’t need to hear about some of them again on this one. Instead, I focused on picking shows that I would readily watch again, because I felt that that would be a more enjoyable list to compile, honestly. The list is pretty beefy already, so for the sake of brevity, let’s get this show on the road!
Anime openings and endings (commonly abbreviated as OPs and EDs respectively) have become a staple of most anime in modern days, so it makes sense that the discussion continues to resurface, as there continues to be more and more anime released every year, which in return means more and more openings and endings are released as well. This is a different sort of era than what anime used to be, even from a decade ago, with most anime having the same opening or ending song for more than one season of a show. Even before the 2000s years of anime, OP/EDs specifically were relatively scarce in shows and were vastly different than the ones that we encounter today in terms of song genres, types of openings they are (instrumental or vocal), and most obviously the types of animation processes used in these music clips as well.
Specifically, I have a problem with watching anime from my backlog. Years ago, when I had just gotten back into watching anime in earnest, anime felt like a wide open world, filled to the brim with all sorts of series that I would jump at the opportunity to watch. Now, years later, the situation is exactly the same – there’s tons of shows out I would love to watch, and the list only continues to grow. That, unfortunately, is where the anime problem comes in. Unsurprisingly, as part of the Backloggers, I do have a bit of a backlog of anime that I would like to watch at some point in time. I’ve been able to chip away at it, to be sure, but recently, I’ve encountered this issue where I look at my backlog, and I internally just grind to a screeching halt. What do I even watch from this list? What do I dedicate my time to? How can I possibly choose something from all of this?
That, friends, is where my secret weapon comes in. What’s the best way to choose a show and chip away at your backlog?
A little over a month ago, the vtuber Mano Aloe quit her job after only a couple of weeks since her debut on YouTube. While the timing seems surprisingly quick, the reason behind it was unfortunately not quite a surprise. After weeks of harassment directed towards her and her family, not only online, but at her own home as well, Aloe terminated her contract with the company Hololive and left before she ever really was able to start.
Doxing, the act of intentionally searching for and exposing a person’s personal info, and harassment aren’t new to the Internet. Historically, whether it was AOL creepers in the 90s, swatters of the mid 2010s, or stalkers now, people online have been subject to terrible and dangerous situations. We usually think of these as outlier incidents. However, every community has their stories. One of the storyboard artists on Steven Universe was harassed into attempting suicide over hate from fans of the show. Famous YouTuber Philip Defranco had an extreme fan bypass security and walk onto set during a recording of his show. We as fans of various media and people get excited by the things we love but this can always go too far. Vtubers are, unfortunately, the new crew that are dealing with this, in their own unique way, and they need help in a way that we can supply.
It’s what I continuously say season after season when another discourse comes to light within the anime community. I don’t think it would necessarily be a problem if the discussions were fruitful and people were more understanding, a problem that I talked about back when responding to Irina’s article several months ago. That’s not to say that I think discourse is invalid or that I think that people shouldn’t be discussing how they feel about a particular show, but there’s a limit as to how you should do it and treating your debate partners with respect and understanding while doing so.