Episode 5 is in many ways similar to episode 3, giving us a backstory of one of our characters via a spy case as they did with Beatrice. Before we get into that though, I’d like to say that I thought Beatrice’s backstory was definitely touching in ways I did not expect from the series, although it wasn’t as if they focused the whole episode on it either. This may have been a good thing or a bad thing, depending on how much you like to know about your characters before the story progresses, however I think in this case it fits the show, especially if they put just as much emphasis on the other characters and their stories later on as well.
Here we are entering episode four of this journey into cute spies doing devious things and I cannot overstate how solid the quality of this show has been through and through. The team behind this seem to know exactly what they’re doing and the purposeful telling of this story out of order has us guessing at every turn what side the individuals in our main cast are on. I’m so excited to see where this goes and after being burned last season, I am hoping against hope that the crew at Studio 3Hz keep this up. It just seems too good to be true. …Almost as if we’re being lied to- I’m sorry for the crappy joke.
While the last two episodes actually had case numbers that followed each other, we’re back to jumping around again, going from Case 2 over to Case 9 now, a few cases before the first episode’s Case 13. While the jumping around has made me sad because we had such great origin stories for a few characters and the team as a whole, this episode actually touched on similar ideas a little on its own by putting a bit more focus on two characters we know little about: Dorothy and Chise.Continue reading
In a development that I have found not at all surprising, Princess Principal episode three serves as yet another thrilling romp through steampunk London with our spy ladies, and it most certainly does not disappoint in any aspect that the previous episodes have lead me to expect. Its quality has remained one of the most consistent among this season’s offerings, and it certainly does not leave me at the end of the episode feeling lacking. Rather, episode three follows a pattern episodes one and two have set in place for us, and it goes to town. Or the sky, rather.
After watching various anime premieres this season, Princess Principal (or PriPri, if you’re lazy like me) was the one that took me by the biggest surprise in terms of its sheer uniqueness compared to many others of the season. That’s not to say the season is lacking in creativity, or that previous seasons had more creativity than this current one, but in this season with many anime seemingly attempting to ride waves of popularity based on other popular ones, I expected PriPri to fall in line with them in terms of having difficulty differentiating itself from shows such as Baccano! or Joker Game.
When I sat down to watch Princess Principal, I couldn’t tell you what I thought it would be, but damn if I wasn’t surprised. I guess I expected some kind of “cute girls doing edgy spy things” and, to some extent, that’s sort of the zoomed out view of things. However, it’s so much more. As The Afictionado put it when we were talking on Twitter earlier, this show is more of “a steampunk fantasy full of spy intrigue and reminiscent of Baccano!”
And that’s freaking sick.
Take a steampunk setting in turn of the century London, split London with the idea of post-WWII Berlin (including the wall), add in a helping of fun pseudo-science, pour in a cast of charming characters, and then top the whole thing off with a great soundtrack and you’ve got yourself what I’m watching this season. This dish was delish, and if this rest of the series is anything like the first episode, then I’ll be craving more and more over the next few weeks.Continue reading
“Is this even the same show?” A question I asked myself continuously while watching this episode.
You may have expected me to delve into another long rant-like explanation as to why SukaSuka continues to not work for me and how much it continues to stray from the beginning episodes in dramatic tone and impact, as I’ve discussed several times previously. I mean, I’ve ragged on this show a lot, after all. Most of the things I’ve ragged on though have been personal complaints or about scenes that didn’t quite hit the mark as hard I was hoping it would, and there’s still a plethora of problems with the show in general. However, this episode brought out the shows true colors and gave me exactly what I wanted and expected the show to be like all along.
And by that, I mean, an episode perhaps rivaling episode 1 in terms of outstanding quality. This episode was truly fantastic.
The penultimate for the series and boy is it worth that haughty title. What starts with a innocent, though a bit existential, discussion about “happiness” steadily divulges into an all out struggle for survival as every character down on the surface finds themselves at the end of the line, finally leading us back to just before where the series all began with that beautiful opening piece that sold me on picking up this series eleven weeks ago.
What started as a gentle slope to the finish last episode has turned into an eighty degree angle slide into the finale. The is the episode we finally, finally, get a lot of the answers that we were looking for… and then a few more questions. While I had wished more of this information had been spread out or at least hinted at more in other parts of the series, I felt its delivery was excellent and the revelations interesting. Plus, given some of the information explained, it made sense for the show to wait until the very end before revealing its hand.
This episode definitely wants us to know we’re finally here at the end of it all and the allusions to the first episode are abound, particularly the constant various versions of the show’s opening motif played in every style imaginable throughout each scene. There was also of note the opening discussion about happiness that was interesting to hear as it seemed to be a direct allusion to the first few lines of the show, a monologue about how Ctholly had found her happiness finally before she tumbles off the ship and down to the surface below.