Something I’ve always respected about Princess Principal is how unabashedly it likes to just do its thing time and again. From its first episode, it tossed us into its high-flying world of steampunk technology, deception, and espionage and essentially told us nothing except to buckle up. It asked us to trust it with its narrative, its characters, and its fascinating world, and to just let it take us where it was going, wherever that may be. If the final three episodes are any indication, this show did indeed go places, and it escorted us through them in a masterclass style.
Following on the heels of the last two episodes, Princess Principal 12 picks up right where 11 left off, and it’s only fitting for the rollercoaster ride that this finale has been shaping up to be. The show decides to ask us again to simply sit back and take in the sights one last time, and it truly is worth it to do so. The major happenings of episode 12 aren’t necessarily surprising, per se, but they are cathartic, and they work to bring an all-around satisfying conclusion to Princess Principal.
This week, we talk about P. A. Works’ arguably weirdest show, Glasslip. We discuss the show’s odd pacing, unnatural character dialogue, gorgeous stills that make up half of the show, and whether or not the show is secretly a masterpiece.
Audio Links: iTunes | SoundCloud
This podcast was recorded on September 8th, 2017.
As we head into the final lap of Princess Principal, it’s not surprising to see some larger twists that would indicate where the show is intentionally going for its finale. In episode 10, we learned about a change in command that shook things up for our cast of girls as they have been given the command to execute Project: Changling in order to assassinate the current princess, and as expected, our cast of characters has some diverse reactions to this news.
In my youth, food was always hugely important to my friends and family. Food wasn’t just something you brought to a family reunion or put on the dinner table. It was a way that you connected with one another – a cornerstone of life, physically and socially. Even though I don’t dabble to an intense degree in the cooking arts, it’s because of these early experiences that I’ve always held a vested interest in food and how it connects things and people, and that carried over into my taste in anime. Food holds a solid place in a lot of anime these days (just ask any schoolgirl that’s running late on her first day), but shows that revolve specifically around food aren’t exactly common. That being said, some of the few shows that do focus on food hold a special place in my heart for the fascinating ways that they present food, and for how they give food a central role in their narratives. Here, I’m going to look at just three food-centric shows – Isekai Shokudou, Shokugeki no Soma, and Ristorante Paradiso – and dive into the vastly different ways in which they use food for narrative purposes.
As far as case numbers go, chronologically, this is the farthest forward we’ve gone yet, at Case 22. It definitely was intentional to save this one for almost next to last as episode ten is the tipping point to what will most likely be an freaking epic conclusion to the series. However, before I jump the gun to some real big shit (like the biggest of cliffhangers yet for this show) we’ve got an episode with a possible double agent, plenty of intrigue, and a character from both Ange and Dorothy’s past.
Time to send in the RSVPs ‘cause it’s gosh dang class reunion.
Reunions are fun, aren’t they?
This week, we talk about Doga Kobo’s Engaged to the Unidentified, the slice of life rom-com that begins normally, gets weird, and ends (relatively) normally. We discuss interesting re-contextualization of certain tropes, consistent, unnecessary conflicts with speedy resolutions, the interesting shift towards a more female-centric perspective for a rom-com of this type, and just how dang gorgeous the show is.
Audio Links: iTunes | SoundCloud
This podcast was recorded on August 17th, 2017.
As previous history with Princess Principal has indicated thus far, the show has kept consistent with its character explorations with each passing episode, especially if we consider the bombshell that episode eight was. Episode nine chooses to focus once again on the combat expert and resident Nihonjin of the spies, Chise. We already had a pretty solid episode of development dedicated to her earlier in the season, wherein which she faced off with and slayed her father-turned-traitor, and we saw a distinctly human side of her by the end of it. That episode focused somewhat on integrating her into the team, and in many ways, this episode is largely the same, thematically. However, we learn far more about Chise in relation to her Japanese pride and heritage, and how that comes into play with her work as a spy. In a way, though, this episode serves as a deep dive into the character of Princess, as well, using the events of last week as a frame of reference.