Bakemonogatari, and the Monogatari series as a whole, is a very unique beast. The anime spends as much time playing word games as it does going through its actual plot, and you may be surprised to learn that this is not just in its adaptation. The first novel in the series, Kizumonogatari spends the first chapter talking around a vampire instead of about them, making play-on-words and constant asides rather than actually detailing the character the narrator is supposed to, dancing around the subject until they finally give in… The following chapter.
And this is basically the essence of this series. Well, if you ignore the random outings into very yikes uncomfortable sexual scenarios and bouts with supernatural beasts.
Hey y’all. I know it’s been a while since we’ve gotten out a post about seasonal anime amongst the three of us, but this post is about to change all of that. We typically do a podcast episode about the season and our impressions based on the first episodes, but we experienced some… technical difficulties during the last podcast which prevented us from doing that this time. So instead, we took the opportunity in our hands to do something different and try something new-ish for us. Let us know what you think!
This is going to be a long post so I’ll keep this part short, but basically with this, we wanted to address some of the shows we found interesting during the season. Hopefully you’ll find something good here in case you wrote the season off early like some of us were going to, or if you’re just looking for Backloggers branded recommendations, then you’ll get that here too.
Well, it only took us four years of blogging to get picked up for a review. Go us!
In all seriousness, though, thanks to TriCoast Studios for reaching out to us about the opportunity to review Violence Voyager – it’s an awesome moment for us to have been asked to do this, and we’ve been pretty dang excited to oblige. I can pretty confidently say that Violence Voyager is entirely unlike anything we’ve seen before as a blogging collective (and you can get a sense of whether or not you’ve seen anything like it, too, by checking out the trailer here)!
To “lose” something is such a powerful, yet diverse word when it comes to what it means to different people. It’s a word that can mean both a misplacement of something important to us and a heartbreaking parting with someone we know. A word that can mean both a failure to achieve a personal goal and also one of misguidance and confusion. It’s hard to pin down on what “losing” can mean to any individual at any given time. Even further still, it’s complicated to understand how different individuals can cope with each scenario of “loss” regarding its various meanings. Sometimes to “lose” is something we don’t focus on too much, yet at other times, it can be devastating to the point where it feels soul-crushing and unable to be overcome.
Here at the Backloggers in light of the recent tragedy with Kyoto Animation, we wanted to express our love towards the studio, the staff, and their works by sharing some of our favorite experiences with Kyoto Animation productions. All of us here truly value their work in our own ways, and I hope that our thoughts below can give you some insight as to how we truly feel about this incident as a whole by showing you how much we value Kyoto Animation as a studio and the staff that created some of these memorable works that we love so dearly.
I’ve always been a sucker of sorts for shinobi or ninja-based series. Rurouni Kenshin was my first love in that regard, as I quickly fell in love with the weird, diverse cast of characters, Kenshin’s code of honor and ever-present desire to help and protect those in need, as well as the flashy swordplay and sword arts, moves, and styles. For a young Tofu, it was absolute heaven. Other series caught my eye similarly – Naruto was an early favorite, for instance. Between the hype that came from watching it as it aired and the ever-present escalation and new uses of interesting and powerful jutsu, the show had me hooked. As I grew older and branched out beyond the shonen genre, I found myself deep in the throes of shows such as Samurai Champloo, which took the idea of warriors embodying the idea of the samurai I had come to love and re-positioning it in a way I had up until then not seen.
Back when Ryan Lewis and Macklemore were writing the songs for their album The Heist, Ben Haggerty (Macklemore) was having a hard time coming up with the lyrics for “Same Love.” He finally decided on an idea of telling the story from a gay individual’s perspective. However, when he showed this to Ryan Lewis, Ryan shot it down immediately. He stated to Ben that there was no authenticity behind these words, and that if he really wanted to make an impact, he should tell it from his perspective. Ben rewrote the song with this in mind, taking his own perspective and feelings of support for the gay community and translating them musically. The song went on to be an anthem for the gay community and a banner for allies to rally under as they pushed harder to finally enact legal gay marriage in the United States.
As someone who likes to write in his free time, I always suffer trying to find how to write characters that aren’t the same background as me, whether it’s a different ethnicity or a different sexuality. To be honest, it genuinely is an impossible thing to try and do this by myself. I can’t understand the struggle or the abuse people have gone through for being gay because I’m just not. That is why I always talk to those around me from these backgrounds in order to help me understand on some scale, and then constantly keep the conversation going as I write. Any writer who is gay would far better be able to detail how that feels than me, and we should encourage them to write those feelings. However, for those of us that are allies, I feel that if we want to express these types of characters in the stories we tell, we have to make damn sure we do it right.
That is why I love My Brother’s Husband as a series. This short but endearingly sweet manga very much acts as an instructional guide for the ways allies can help and make the best of being the support class in the Equality Squad. Gengoroh Tagame in this manga shows people, such as myself, how to be that ally that the gay community needs, how to accept them and work with them to make a better place.