It’s been a bit but I wanted to make a piece. Partially because of the extreme guilt of not being vocal and sharing with you guys who have supported us but also because I’m trying to turn that guilt into something really beautiful, if I can. So, I’ll do what I do best:
Here’s a gush piece.
DC recently decided to wall off a lot of their content on their own streaming platform called DC Universe, possibly because they saw Disney do the same with Marvel. Now, granted, I’m sure that there are some benefits for doing this. For instance, with a branch specifically for assisting shows to get created, there are some things that may not have had the money or chance otherwise. That said, it really sucks for a lot of people because there’s no reason to pay for another service that you’ll probably check out once every blue moon.
Well let me tell you about how freaking blue that moon is for me right now.
There’s no better way to start off Spring season than with a show that seems to truly capture the perfect essence of the meaning of “spring time”. You have the trees and flowers blooming, the lack of any sort of “hey, it’s cold and miserable” mood that always seems to come with many anime based in the winter months, and most importantly (for anime at least), the general school romance that seems to always flourish during this time of year.
When someone mentions the words “comedy anime”, this is often one of the first recently airing shows that will be brought to the table when tossing out names for recommended lists or “must watches”. Not quite an MMO anime of the years past, and not quite an isekai anime of the current years, KonoSuba manages to both cater to the fans of those types of shows, while also simultaneously poking fun at all the ridiculous concepts behind said shows. It may even be tempting to call this type of show a “parody” or a “subversion” of the genres its mimicking. Honestly though, I don’t think either of those terms really fit what this show is.
It’s the end of 2018. The year is coming to a close, with a new year and new anime just on the horizon. As I scan over the Winter 2019 season’s offerings, I spy a show called W’z that stirs something within me – it looks a whole lot like Hand Shakers, a show that, no pun intended, shook me to the core almost two years ago. I find a trailer, and sure enough, it’s the same style, aesthetic, and even the jarring gear-looking weapons. I’m having minor heart palpitations. Surely Hand Shakers didn’t get a sequel greenlit – a show that was as consistently panned by critics and viewers alike couldn’t have been given the blessing, let alone the budget, for a season two. I talk to my co-host Owningmatt93, and I’m assured by him that “it’s just the style GoHands does, man. All of their stuff looks like this.” Looking at trailers for, for instance, K: Return of Kings, it does indeed look pretty much exactly the same, aside from a lesser emphasis on a mix of 2D and 3D animation. My fears assuaged somewhat, I continue on with my look at what’s in store for the next few months.
It’s 2019. A new year, a fresh start, and a new season ahead of us for anime. It’s 2019, and I get this message in The Backloggers Slack chat:
If you’re anything like me, you may have given this anime one glance and thought that it looked like a strange concoction of what people would regard as a “generic fantasy show” with very under-stellar elements regarding animation and effects. There’s nothing really that makes this anime stand on its own from just reading the synopsis and watching the PV. To older anime viewers such as myself, it almost looks like a cross between Aldnoah.Zero and Chaika: The Coffin Princess in terms of both style and elements presented to us throughout the show. Both of those shows were at varying levels of popularity and quality, but I think that while comparing Price of Smiles to those shows may be accurate in terms of plot setup and world-building elements, it’s also disingenuous to say that this show is exactly like either of those, as it does have a wide array of differences in terms of execution and tone that keeps it apart as its own entity.