This has been one of the best times for anime and the sheer evolution of the industry over these 10 years is crazy to consider. Just looking back on the number of anime that came out in one season in 2010 compared to a season now shows an explosion of growth. And sure, there’s been plenty of sequels, reboots, and rehashes of old tropes. However, there also have been stand out hits that did something unique and were immediate loves of mine at first watch.
So for this list, I didn’t restrict myself to one per year, nor any limitation of trying to number one anime above another. Instead, I just wanted to share anime that had a big impact on me and, I think, also the industry. So given when this list is coming out, let’s celebrate the holidays in alphabetical order with something morbid: Death!
Bakemonogatari, and the Monogatari series as a whole, is a very unique beast. The anime spends as much time playing word games as it does going through its actual plot, and you may be surprised to learn that this is not just in its adaptation. The first novel in the series, Kizumonogatari spends the first chapter talking around a vampire instead of about them, making play-on-words and constant asides rather than actually detailing the character the narrator is supposed to, dancing around the subject until they finally give in… The following chapter.
And this is basically the essence of this series. Well, if you ignore the random outings into very yikes uncomfortable sexual scenarios and bouts with supernatural beasts.
Back when Ryan Lewis and Macklemore were writing the songs for their album The Heist, Ben Haggerty (Macklemore) was having a hard time coming up with the lyrics for “Same Love.” He finally decided on an idea of telling the story from a gay individual’s perspective. However, when he showed this to Ryan Lewis, Ryan shot it down immediately. He stated to Ben that there was no authenticity behind these words, and that if he really wanted to make an impact, he should tell it from his perspective. Ben rewrote the song with this in mind, taking his own perspective and feelings of support for the gay community and translating them musically. The song went on to be an anthem for the gay community and a banner for allies to rally under as they pushed harder to finally enact legal gay marriage in the United States.
As someone who likes to write in his free time, I always suffer trying to find how to write characters that aren’t the same background as me, whether it’s a different ethnicity or a different sexuality. To be honest, it genuinely is an impossible thing to try and do this by myself. I can’t understand the struggle or the abuse people have gone through for being gay because I’m just not. That is why I always talk to those around me from these backgrounds in order to help me understand on some scale, and then constantly keep the conversation going as I write. Any writer who is gay would far better be able to detail how that feels than me, and we should encourage them to write those feelings. However, for those of us that are allies, I feel that if we want to express these types of characters in the stories we tell, we have to make damn sure we do it right.
That is why I love My Brother’s Husband as a series. This short but endearingly sweet manga very much acts as an instructional guide for the ways allies can help and make the best of being the support class in the Equality Squad. Gengoroh Tagame in this manga shows people, such as myself, how to be that ally that the gay community needs, how to accept them and work with them to make a better place.
It’s been a bit but I wanted to make a piece. Partially because of the extreme guilt of not being vocal and sharing with you guys who have supported us but also because I’m trying to turn that guilt into something really beautiful, if I can. So, I’ll do what I do best:
Here’s a gush piece.
DC recently decided to wall off a lot of their content on their own streaming platform called DC Universe, possibly because they saw Disney do the same with Marvel. Now, granted, I’m sure that there are some benefits for doing this. For instance, with a branch specifically for assisting shows to get created, there are some things that may not have had the money or chance otherwise. That said, it really sucks for a lot of people because there’s no reason to pay for another service that you’ll probably check out once every blue moon.
Well let me tell you about how freaking blue that moon is for me right now.
When I was in college, my roommate at the time introduced me to a challenge that was being spread around Reddit. It was called the No Cry 19 Challenge. It was a playlist of videos that was guaranteed to make people cry. They weren’t all sad, though many were, but were just extreme from an emotional sense. Extremely sad, extremely happy, and just a whole range of emotions. The comments were fun to look at as you saw a wide range of individuals detailing out how far they made it, with many falling off within the first ten videos.
The challenge was fun but it also made me realize two ideas. The first, is that it’s a universal thing to need to cry, and through empathy we’re able to share in those emotions other have. This sounds super philosophical, like some hoity-toity shit, but the fact of the matter is…
This manga is this perfect little cap off to the day for me. Mado Kara Madoka-chan is a cute little series about a office worker who walks the same path to work every day outside of a woman’s house, who loves to play games and roleplay with him as he passes by. Every time that our protagonist comes by, Madoka-chan begins a different kind of game with him to keep both of their lives fun, dramatically changing the layout and look of her home.
Each chapter is a different strange experience with the eccentric Madoka-chan as she performs something within her four walls either for the salaryman passing by, or seemingly to entertain herself. However, her eccentric nature and the dramatic transformations of her place, sometimes in a matter of minutes, makes me feel as if there’s a hint of Magical Realism in this series. Like, there are some chapters where she closes her shutters and not five seconds later, they slam back open to reveal a restaurant. It’s insane but also always fun, especially because as magical as she may seem, Madoka-chan doesn’t always get everything right and so interactions between the two characters can become dynamic and sometimes downright hilarious.
This essay contains spoilers from Kase-san and Cherry Blossoms.
As a longtime shoujo manga fan (well over a decade at this point) and a relatively new but passionate Yuri fan (Revolutionary Girl Utena was my first foray into the genre back in 2016), the Kase-san series seemed made for me. I was first exposed to the series through the animation clip produced in May 2017, a gorgeous, atmospheric extended AMV of sorts, and then was lucky enough to catch the Kase-san and Morning Glories OVA at AnimeNYC this year (and I got to see it with Yuri expert Erica Friedman, which made the viewing all the more delightful). The OVA left me speechless, and at the Q&A afterward, the director summed the premise of the shoujo series perfectly: he wasn’t focused on conveying a story about women in love, but one about people in love, regardless of…
Mousou Telepathy is a story that takes a look at what having a super power most consider cool would really be like of it came with no off button. Ayako Nakano is a student in high school who ever since she could remember has been able to see other people’s thoughts. However, after being called creepy by her mother when she was very little, she’s always kept this to herself. Unfortunately, this becomes harder to hide when a seemingly stoic popular boy in her class with a very overactive imagination falls madly in love with her, constantly thinking about her throughout the school day.
This is genuinely one of the most heart-warming things I’ve read in awhile. My Brother’s Husband is a multiple award-winning story about a single father, Yaichi, living in Japan. His twin brother Ryoji, had moved to Canada and there found love and legally married his fiancé. However, after ten years living abroad, Ryoji suddenly died. Now, a month has passed and suddenly, Ryoji’s husband, Mike, has decided to come to visit Japan to learn more about his husband and his family that he never got a chance to meet. While living with them, Mike helps to change the lives of our main character Yaichi and his daughter, helping them to not only come to terms with his brother’s passing, but also his own biases that didn’t allow Yaichi to fully accept his brother.
I feel Gokushufudou works for the same reason of why I love Leslie Nelson’s brand of comedic movies. It’s a very serious character in a completely out of tone situation. Our main character, Tatsu, is an ex-yakuza who left all of the gang violence behind to completely support his wife in her work by taking care of their house. However, even with the smallest chores of cleaning the bath or doing the dishes, he treats it with the same horrifying and meticulous seriousness of a gang-sanctioned killing.